Budget Breakdown Artifact
Auto-structured from the screenplay into scene cards optimized for early budgeting conversations: where the expensive pressure points appear, how often they recur, and which scenes likely need closer line-by-line manual verification.
Producer heatmap
Script-wide production pressureThis layer gives producers a top-down view of where the operational weight of the script sits before going scene-by-scene. It complements the scene cards by showing which departments and cost drivers dominate the script overall.
Top recurring budget flags
- Marine / ship work99 scenes
- Supporting cast / extras73 scenes
- Water / underwater work57 scenes
- Period wardrobe / props51 scenes
- FX / explosions / fire37 scenes
- Aircraft / aerial sequence37 scenes
- Stunts / action choreography34 scenes
- Weapons / armaments32 scenes
- Desert exterior28 scenes
- Animal / shark25 scenes
Most used locations / sets
- RED SEA15 scenes
- HULL13 scenes
- UNDERWATER13 scenes
- SKIES9 scenes
- SPITFIRE COCKPIT8 scenes
- KITCHEN8 scenes
- RAFT8 scenes
- GERMAN AIRBASE7 scenes
- STORE ROOM7 scenes
- MESSERSCHMIDT COCKPIT6 scenes
- BRITISH BASE6 scenes
- SS JARROW6 scenes
Primary cast presence (rough pass)
Scene cards
185 totalEXT. RED SEA - DAY
A cargo steamship sails through the pristine waters of the Red Sea. In the far distance - twenty miles off the ship’s starboard side - we can see the closest land...
EXT. SS THISTLEGORM - DAY
The four hundred foot long boat is packed with wartime cargo. Most of it - all the munitions and armaments - are in the hold...
EXT. SKIES - DAY
A Heinkel 111 twin engined Luftwaffe bomber flies high above the desert towards the sea. A wing of six Messerschmidt 109s flies in formation behind the bomber.
EXT. SS THISTLEGORM - DAY
The forward anti aircraft gunner scans the skies with a pair of binoculars. He tenses when he spots something high above.
INT. SPITFIRE COCKPIT - DAY
We’re inside the surprisingly rudimentary cockpit of the lead Spitfire. At the controls is Squadron Leader RAY THORNTON.
INT. MESSERSCHMIDT COCKPIT - SAME TIME
Obersleutnant JURGEN FRIEDL is commanding the Luftwaffe fighter escort. Like his British counterpart he also has he name and rank painted beneath the cockpit along with a line of ‘kills’ that’s even longer than Ray’s.
EXT. SS THISTLEGORM - DAY
The anti aircraft gunners on the cargo ship see the events unfolding in the skies above and open fire. The huge exploding shells leave puffs of black smoke against the flawless blue of the sky.
EXT. SKIES - DAY
Ray opens up with his dual Browning machine guns... The rest of the squadron follow suit before fanning out to pursue the enemy aircraft.
EXT. AIR BATTLE - DAY
Both sets of planes are performing complex aerobatic maneuvers in order to place themselves directly behind one of the enemy planes. One of the Messerschmidts executes a textbook barrel roll to escape the withering fire from the pursuing Spitfire’s machine gun.
EXT. RED SEA - DAY
Ray is traveling at close to 400mph about 20 feet about the sea. He screams past the SS Thistlegorm - so close that the men on deck are caught in turbulence of his wake.
INT. HEINKEL BOMBER - DAY
The nose gunner takes aim at the Sprifire screaming towards them. He fires.
INT. SPITFIRE COCKPIT - DAY
Ray’s POV as his machine gun fire finally strikes home - hitting the bombs before they’re released. They explode and the Heinkel turns into a fireball.
EXT. SKIES - DAY
Ray’s Spitfire emerges unscathed. Almost immediately one of the Messerschmidts dives towards him.
EXT. AIR BATTLE - DAY
It’s a maelstrom up here. Dogfights are breaking out everywhere.
INT. SPITFIRE COCKPIT - SAME TIME
The Spitfire pilot is ready to press the ‘fire’ button when a second Messerschmidt drops right in behind him.
INT. MESSERSCHMIDT COCKPIT - SAME TIME
Jurgen is flying the plane that just dropped in behind the Spitfire (a classic ‘sandwich’ move in dogfighting). He opens fire.
INT. SPITFIRE COCKPIT - SAME TIME
Ray is diving towards the engagement... He sees the Spitfire go down...
EXT. DESERT RAF AIRBASE - DAY
The Spitfires land on a makeshift airstrip in the middle of the desert. Although it counts as an RAF base - in fact it consists of little more than a row of tents and a series of low fortified bunkers filled with fuel and munitions.
INT. TENT - DAY
Ray ducks inside one of the sand colored tents. The spartan interior contains a camp bed with carefully folded sheets and blankets, an oil lamp, a hard back copy of Aldous Huxley’s “Brave New World”, a shaving kit, a spare uniform and a knapsack.
EXT. GERMAN AIRBASE - DAY
Jurgen climbs out of the cockpit of his Messerschmidt. The German base in the middle of the desert is larger than the British one...
INT. KOMMANDANT’S TENT - DAY
The camp’s kommandant is a thin faced, oily, bureaucrat... sitting at a desk wearing full Nazi uniform.
Intelligence. Is that what you call it?
The kommandant rises... red faced.
INT. TENT - AFTERNOON
Ray enters a tent that has been turned into a makeshift chapel. There is a lectern and guttering candles - but nobody else in here.
INT. GERMAN MESS TENT - EVENING
The German pilots are seated around long wooden tables. There is a large portrait of the Fuhrer on the tent wall.
INT. BRITISH MESS TENT - SAME TIME
Ray takes his seat in the virtually identical British mess tent. Despite the loss of one of their pilots the buzz of conversation is more animated than among their German counterparts.
INT. GERMAN MESS TENT - EVENING
Jurgen assesses the mood of the room. He leaves his meal unfinished and rises.
into Egypt.
There are cheers now as Jurgen winds up to a crescendo. There will always be setbacks...
INT. BRITISH MESS TENT - SAME TIME
From the rousing German anthem we cut to dead silence in the British mess. Everyone is standing.
EXT. BRITISH BASE - EVENING
The singing continues as we see a desert wind whip up sand that swirls around the row of Spitfires.
EXT. GERMAN AIRBASE - SAME TIME
Less than a hundred miles away the row of Messerschmmidts gleam in the moonlight. UNISON (CONT’D)
INT. BRITISH MESS TENT - SAME TIME
The singing reaches its patriotic climax.
EXT. PORT - EARLY MORNING
A British cargo ship is refueling in the port of Djibuti in Eritrea. Like the Thistlegorm it is packed with cargo heading north to help the war effort.
EXT. GERMAN AIRBASE - MORNING
Jurgen is helping two mechanics push an older model Messerschmidt out of the hangar. They stop when it’s alongside another plane.
EXT. BRITISH BASE - SAME TIME
Ray is sitting outside his tent. He’s at a low table writing a letter.
intelligence.
Using a code we know they’ve broken. But it won’t be long before they figure it out...
EXT. DJIBUTI PORT - DAY
The SS JARROW is about to leave. The mooring lines are being removed from the dock cleats and winched back onboard.
INT. SHIP’S MESS - SAME TIME
Rob and Neal are mopping the floor of the cavernous mess hall. The rows of long wooden tables and benches have been bolted to the floor.
INT. KITCHEN - SAME TIME
They lug the wooden crate through the large kitchen. Apart from the row of basins and the large metal work surface, there are two giant refrigerators in here as well as a long gas cooker.
EXT. BRITISH BASE - EARLY EVENING
The mechanics and pilots are playing football. It’s one of the rare carefree moments here.
EXT. GERMAN AIRBASE - SAME TIME
The German mechanics and pilots are also playing football (there’s not much else to do our here in the middle of the desert). Jurgen scores.
EXT. RED SEA - DAWN
The sun rises over the desert saturating the land with a warm light. The camera rises to take in the Red Sea coastline and a tiny speck that is the SS Jarrow - sailing North.
EXT. GERMAN AIRBASE - DAY
The Heinkel 111 crew head out towards the waiting bomber. Jurgen, wearing his leather flying jacket, hurries out and falls into step beside the bomber pilot.
EXT. BRITISH BASE - DAY
The British fighter pilots are playing cards outside the mess tent. They have all their kit next to them.
EXT. GERMAN AIRBASE - DAY
The Heinkel bomber is already in the air. One by one the Messerschmidt 109s take off.
INT. MESSERSCHMIDT COCKPIT - DAY
Jurgen pulls back on the stick and the fighter starts an almost vertical climb. He glances back to see the other seven planes (including the two older models that were brought out of the hangar yesterday) following in perfect formation.
EXT. BRITISH BASE - SAME TIME
The wing of seven Spitfires are also in the air. Ray is leading them towards the Red Sea.
EXT. SS JARROW - DAY
The crew of the cargo ship are very aware that they’re entering hostile waters. The hatches are being battened down.
INT. KITCHEN - SAME TIME
Neal and Rob are washing up a giant pile of dishes after the crew’s breakfast. Just because you hate washing up.
EXT. SKIES - DAY
Close on the Heinkel... flying at 20,000 feet.
INT. SPITFIRE COCKPIT - SAME TIME
Ray scans the skies - above and below them - sees nothing. Suddenly the radio crackles into live.
INT. MESSERSCHMIDT COCKPIT - SAME TIME
Jurgen spots the six Spitfires climbing towards them. Here they come.
EXT. SKIES - DAY
The Messerschmidts fan out as they dive. The Spitfires also break formation.
INT. BOMBER COCKPIT - SAME TIME
The bomber pilot gets the message and immediately pushes the stick forward - taking the bomber into a steep dive.
EXT. SS JARROW - DAY
The first officer on the ship’s bridge is staring up at the sky through a huge pair of binoculars. He sees the bomber.
INT. SPITFIRE COCKPIT - DAY
Ray is managing to evade a Messerschmidt that is trying to get on his tail. He sees the bomber diving towards the Red Sea.
INT. MESSERSCHMIDT COCKPIT - DAY
Jurgen rolls in behind another Spitfire... His thumb is on the firing button.
EXT. SS JARROW - DAY
Both ‘Ack Ack’ guns are firing in the direction of the approaching bomber. The air above the ship is filled with puffs of black smoke.
EXT. SKIES - DAY
Jurgen pulls off a spectacular acrobatic move - using an inverted loop to get himself onto the tail of Ray’s Spitfire. He opens fire.
INT. SPITFIRE COCKPIT - DAY
The glass cockpit canopy shatters around Ray... More bullets stitch a line across the underside of one wing.
INT. BOMBER COCKPIT - DAY
The bomber pilot drops the bombs.
EXT. SKIES - DAY
We follow three bombs as they plummet downwards towards the SS Jarrow. Two miss...
INT. KITCHEN - DAY
The explosion literally lifts the huge ship several feet in the air and drops it back down. The effect, inside the kitchen, is to hurl everything that isn’t bolted down...
EXT. SS JARROW - DAY
There’s frantic activity on the main deck of the ship. The dozen or so crew members are trying to put out fires that are breaking out all over the ship.
EXT. SKIES - DAY
Ray’s plane is in trouble. He’s losing height fast...
INT. SS JARROW - DAY
The ship’s first officer has gone below to inspect the bomb damage. He opens a bulkhead door that leads into the engine room.
INT. KITCHEN - DAY
The movement of the ship was so extreme that one of the huge industrial fridges has toppled over. It is now lying on its side - directly in front of the store room door.
EXT. SS JARROW - BRIDGE - DAY
The first officer races back onto the bridge. It’s bad.
INT. SPITFIRE COCKPIT - DAY
Jurgen is again closing in on Ray’s Spitfire. It won’t be long now.
INT. MESSERSCHMIDT COCKPIT - DAY
Jurgen has Ray in his gun sights. As he fires his 20mm canons Ray makes an unexpected move.
EXT. SKIES - DAY
Wide shot as two parachutes open. Both pilots are going down in the sea.
INT. STORE ROOM - DAY
Neal and Rob are trying to exit the store room... but the fallen fridge is blocking their exit.
INT. KITCHEN - SAME TIME
The officer charged with rounding up survivors enters the kitchen. He looks around at the deserted, debris strewn, room.
INT. STORE ROOM - SAME TIME
The last jolt has toppled the shelves in the store room.. Neal and Rob work together to lift a tall unit away from the door.
EXT. RED SEA - DAY
Ray and Jurgen have landed in the water. Both are battered and bruised - but are not suffering from any serious injuries.
EXT. SS JARROW - DECK - DAY
The two life boats have been lowered. The survivors - about ten of them in total - climb into the boats.
EXT. RED SEA - DAY
Ray can see the lifeboats setting out. He waves and yells frantically.
EXT. LIFEBOAT - DAY
The captain scans the sea around his stricken ship. There’s various kinds of wreckage that has fallen overboard during the attack - including barrels and wooden crates.
EXT. RED SEA - DAY
Jurgen watches the lifeboats disappear into the distance. He turns through three hundred and sixty degrees...
EXT. SS JARROW - DAY
Jurgen makes it across to the ship. It’s now listing to starboard...
EXT. SS JARROW - BOW - DAY
Ray approached the boat from a different angle. He has arrived at the bow.
INT. ENGINE ROOM - DAY
Ray find himself floating in the flooded engine room. The influx of water - now about six feet deep - has put out most of the fires...
EXT. SS JARROW - DECK - DAY
Jurgen is lying flat on his back on the foredeck - clearly exhausted. He takes a deep breath and sits up.
into his tunic and produces a black Luger.
He rises to his feet.
INT. BELOW DECKS - DAY
Ray closes the bulkhead door that leads into the rapidly flooding engine room. He heads up two flights of metal steps and down a long passageway.
INT. STORE ROOM - DAY
Neal and Rob have cleared a space on the floor of the store room. Both are lying down on the hard metal floor.
INT. MESS HALL - DAY
Ray has passed through the devastated kitchen and is in the mess hall. He can’t hear the banging from in here.
EXT. FOREDECK - DAY
Ray steps out onto the deck. Jurgen is already there.
INT. SS JARROW - BRIDGE - DAY
Ray makes it onto the bridge... keeping his head low in case his enemy can fire at him.
EXT. FOREDECK - SAME TIME
Jurgen hesitates on the way to the bridge. He has a nasty looking knife in his hand...
INT. SS JARROW - BRIDGE - SAME TIME
Ray peers gingerly out of the windows that overlook the foredeck and bow of the ship. To his surprise there’s no sign of the Luftwaffe pilot.
EXT. ANTI AIRCRAFT GUN - DAY
The gunner we saw earlier is dead and lying on his back on the deck. Jurgen has taken his place and has swung the huge gun around to face the ship’s bridge.
INT. SS JARROW - BRIDGE - SAME TIME
For Ray, on the receiving end, the noise is even more ear piercing. The huge ‘Ack Ack’ shells slam straight through the glass...
EXT. ANTI AIRCRAFT GUN - SAME TIME
Jurgen fires the last bullet in the belt that was already loaded when he arrived. Beside him there is a large metal ammo case.
INT. SS JARROW - BRIDGE - DAY
Now that the gun has stopped firing Ray takes the opportunity to look up. Through the smashed window he can see Jurgen reloading.
EXT. ANTI AIRCRAFT GUN - SAME TIME
Jurgen looks up to see Ray in the window - pointing the flare gun at him. Ray fires.
EXT. FOREDECK - DAY
Ray races down the steps and onto the foredeck with the fire axe in his hands. Jurgen is still scrabbling away from the anti aircraft gun when he reaches him.
EXT. FOREDECK - DAY
We’re still in Jurgen’s POV as the world swims back into focus. He’s not dead (obviously) but he has been securely tied to the side railing.
INT. BELOW DECKS - DAY
Ray is searching for survivors below decks. There are bodies down here...
INT. KITCHEN - DAY
Ray passes through the kitchen. He stops.
INT. STORE ROOM - SAME TIME
Neal and Rob are still shouting and banging tin cans against the metal walls... but with less conviction now.
INT. KITCHEN - SAME TIME
Ray is banging on the store room door. Is there someone in there?
INT. STORE ROOM - DAY
Ray and Neal are frantic. They both hammer as hard as they can on the metal walls...
INT. KITCHEN - DAY
The floor is at a 45 degree angle as Ray exits the kitchen. He looks out to sea.
EXT. RED SEA - DAY
Wide overhead shot as the ship reaches 90 degrees.... Then drops over.
EXT. HULL - DAY
Ray and Jurgen clamber onto the hull of the boat - using a fixed maintenance ladder next to the twin screws in the stern. They both collapse on their backs - utterly exhausted.
EXT. UNDERWATER - DAY
An underwater shot in the crystal clear waters of the Red Sea. Jurgen and Ray dive down about fifteen feet...
EXT. FOREDECK - UPSIDE DOWN - DAY
What was the deck is now the ceiling. There’s a gap of about two feet between what used to be the deck and the water level.
INT. KITCHEN - UPSIDE DOWN - SAME TIME
Jurgen and Ray make their way into the kitchen. They are now walking on what was the ceiling - so the hanging lights are lying on the floor surrounded by a tangle of wires.
INT. STORE ROOM - SAME TIME
The wave of relief that washes over Rob and Neal when the door opens is seismic. They’d given up long ago...
EXT. FOREDECK - DAY
Close on the body of the anti aircraft gunner who we saw lying dead on the deck. When the ship rolled his body floated clear and he’s now rising slowly - very slowly - towards the surface.
EXT. FOREDECK - UPSIDE DOWN - DAY
All four men jump into the water. All of them are now in the two foot pocket of air beneath what used to be the deck.
EXT. UNDERWATER - DAY
Another shot beneath the water as they all swim over - i.e. under - the side rail and up to the surface.
EXT. HULL - DAY
All four of them pop up next to the overturned ship. Both Rob and Neal take huge relieved breaths.
EXT. UNDERWATER - SAME TIME
SHARK POV. A view from below of the four men swimming towards the stern of the boat.
EXT. RED SEA - DAY
As they swim towards the access ladder Neal spots a fin - slicing through the water towards them. It’s a shark.
EXT. HULL - DAY
Ray climbs onto the hull to find Rob in bad shape. His leg is mangled and he’s slipping in and out of consciousness.
EXT. UNDERWATER - DAY
Another underwater shot as Ray dives from the hull... He swims down a few feet and disappears through the large hole in the hull made by the German bomb.
INT. ENGINE ROOM - DAY
The engine room is now almost completely flooded. There’s a tiny space close to the roof - just a couple of inches of trapped air.
EXT. HULL - SAME TIME
Breaking the pressure seal and partly flooding the corridor leading from the engine room... causes the whole ship to sink another foot.
INT. SS JARROW - PASSAGEWAY - DAY
Ray makes his way down the part flooded passageway. He sees a set of steps that used to go down...
INT. SS JARROW - HOLD - DAY
Since the hold is the lowest part of the ship there’s no water in here. But when the ship turned over everything fell and the floor (that used to be the ceiling) is covered in debris.
EXT. HULL - SAME TIME
Neal has followed Jurgen’s instructions and has managed to snag several pieces of wood from around the overturned boat. He’s now using one of them to guide a floating metal barrel towards the access ladder.
EXT. UNDERWATER - DAY
Ray can’t go back through the bulkhead doors to the engine room. He heads down the steps to the now fully flooded foredeck.
EXT. RED SEA SURFACE - DAY
Ray breaks the surface of the water. The tents he brought are just about floating...
into the canvas which closes around its body.
Ray swims as fast as he can towards the access ladder. The confused and temporarily blinded shark veers away.
EXT. HULL - DAY
Ray is lying flat on his back on the upturned hull... exhausted.
EXT. HULL - EVENING
As the sun slowly sets we see the three men working together to bring more ‘debris’ onto the upturned hull. The wood from splintered packing crates has all floated to the surface and they collect the longest pieces.
EXT. UNDERWATER - EVENING
Rob’s body floats for a moment... then sinks slowly towards the dark depths.
EXT. HULL - NIGHT
Neal is snoring. Ray and Jurgen, lying on the second army tent, are finding it hard to fall asleep.
EXT. RED SEA - NIGHT
An orange glow beyond the horizon heralds the beginning of a new day.
EXT. HULL - DAY
The overturned ship has sunk several feet overnight. The black metal hull is only about thirty inches above the water line.
EXT. HULL - DAWN
Close on a piece of wood as it’s split down the middle. Pull back to Jurgen.
EXT. RAFT - EARLY MORNING
Neal paddles hard to put some distance between himself and the hull of the overturned SS Jarrow. Cut to close on his hand.
EXT. UNDERWATER - SAME TIME
SHARK POV. The tiger shark is moving in long lazy circles around the overturned boat.
EXT. HULL - DAY
Ray and Jurgen watch the raft move away. It’s nearly a hundred meters away now.
EXT. RAFT - SAME TIME
Neal looks around. Doesn’t see anything.
EXT. HULL - DAY
Ray and Jurgen watch as Neal is torn apart. The raft is overturned.
into trouble the other can help.
Jurgen nods. He’s good with that.
EXT. RED SEA - DAY
An endless and spectacular vista of ocean. The overturned hull of the SS Jarrow is a tiny speck in the sheer scale of the image.
EXT. HULL - DAY
Only a small patch of the hull remains visible... and it’s less than a foot above the water line.
EXT. UNDERWATER - DAY
The hole in the bow of the boat is deeper now... but they both make it easily and quickly.
INT. ENGINE ROOM - DAY
The upside down engine room is completely flooded. The air pocket that Ray used last time (up by the ‘roof’) has gone.
INT. FLOODED HOLD - DAY
The hold is now flooded. All the pieces of wood as well as the tarpaulins and tents are floating freely in the water.
INT. FLOODED CORRIDOR - DAY
They swim down the flooded corridor... through and open bulkhead door...
INT. STORE ROOM - DAY
Ray picks up a Jerry can of fresh water... Jurgen grabs an arm full of cans and jars.
INT. FLOODED KITCHEN - DAY
As they enter the kitchen Ray glances back down the flooded corridor. There is a dark shape moving towards them.
INT. FLOODED KITCHEN - DAY
Ray hangs onto the jerry can and swims back to Jurgen. He grabs him around the waist and pulls him out through the flooded kitchen, up the overturned steps and out onto what was the foredeck.
EXT. RED SEA - DAY
Ray and Jurgen surface in the middle of an endless expanse of sea. The hull of the SS Jarrow has vanished beneath the surface.
EXT. RAFT - DAY
Ray puts the Jerry can of precious fresh water onto the top of the raft. He then climbs on board and hauls the unconscious Jurgen on with him.
EXT. RAFT - MINUTES LATER
Jurgen is recovering. He manages to prop himself up on one elbow.
EXT. RAFT - LATER
Both are paddling. There is still no sign of land in any direction.
EXT. RED SEA - DAY
Ray and Jurgen have stopped paddling and are eating from the cans that Neal and Rob brought on their first trip. How far do you think we’re come?
EXT. RED SEA - NIGHT
It’s night and the sky is full of stars. Both men are lying on the raft.
EXT. RED SEA - DAWN
There’s a glow behind the horizon as the sun prepares to rise. In the foreground we see the tiny speck that is the makeshift raft carrying our two protagonists.
EXT. BRITISH BASE - SAME TIME
The commanding officer who we last saw speaking to Ray... heads into the ‘chapel tent’ carrying a cardboard box.
INT. TENT - SAME TIME
The commanding officer places the box on top of the growing pile. Like the others this one has the photograph of the deceased pilot on the front.
EXT. GERMAN AIRBASE - DAY
The oily Kommandant is back behind his desk. Standing in front of him is Jurgen’s replacement as Obersleutnant (the Luftwaffe equivalent of Wing Commander).
EXT. RAFT - DAY
Jurgen and Ray are paddling hard... but still appear to be in the middle of nowhere.
EXT. RED SEA - DAY
The shore line is getting nearer as Jurgen and Ray keep on paddling. She was at secretarial college when we first met.
EXT. UNDERWATER - DAY
A shot from underwater of the two men swimming down. Cut to the bullets hitting the water...
EXT. RAFT - DAY
Ray bursts to the surface... Climbs onto the raft.
EXT. UNDERWATER - DAY
The cloud of blood from Jurgen’s wound dissipated quickly. But tiny drops remain in the water.
EXT. RAFT - DAY
Ray is paddling. Jurgen is lying on the now ‘off kilter’ row of barrels.
EXT. UNDERWATER - DAY
From beneath the surface we see the metal barrels scraping over the sharp coral. The waves start to get more powerful...
EXT. REEF - DAY
They finally make it into the calm water beyond the reef. The shore is just thirty meters ahead.
EXT. UNDERWATER - DAY
The shark is heading straight for Jurgen. It’s mouth opens it’s eyes roll back.
EXT. LAGOON - SAME TIME
Jurgen launches himself towards the shark. It sinks its teeth into his leg.
EXT. LAGOON - DAY
Ray watches as Jurgen and the shark sink together beneath the surface.
EXT. UNDERWATER - DAY
Jurgen and the shark sink towards the bottom of the lagoon... both mortally wounded.
EXT. SHORELINE - DAY
Ray washes up on the shore... He stumbles forward onto the sand.
EXT. BEACH - DUSK
Ray is collecting driftwood from the shoreline... He’s making a bonfire on the sand.
EXT. DESERT - DAY
Ray heads into the desert. In the magical dawn light it’s spectacular....
EXT. DESERT - LATER
Ray is walking uphill through a sandstorm. Visibility is down to just a few inches in front of his face.
EXT. DESERT - EVENING
We’re in Ray’s POV as he wakes. The storm is abating...
INT. BEDOUIN TENT - NIGHT
Ray wakes in a Bedouin tent. One of the men we saw riding a camel is crouching down next to him.
EXT. DESERT - DAY
Ray is riding with the Bedouin across a vast swathe of desert. They crest a hill...
EXT. ROAD - DAY
Ray is bidding his saviors a formal but sincere farewell. He bows his head as he shakes their hands.
EXT. ENGLISH COUNTRYSIDE - DAY
Wide shot of a small picturesque English country village. Ray, wearing new clothes and sporting a new beard, heads through a gate and up to the front door of a small cottage.
EXT. SCHOOL - DAY
A five year old girl (CATHERINE) - wearing a school uniform and pigtails - freezes when she sees both her parents. Daddy?
EXT. NEWSREEL FOOTAGE - DAY
The war is finally over and there are VE day parties all over the country. People of all ages are celebrating on the streets of London, Manchester, Edinburgh, Newcastle....
INT. HOUSE - DAY
Ray hugs Catherine... then his wife.
EXT. AIRFIELD - DAY
Ray boards a military cargo plane.
EXT. BERLIN - DAY
Ray is in the back of a battered taxi driving through a city in ruins. Not a single building is undamaged.
EXT. BERLIN OUTSKIRTS - DAY
The taxi passes through a pair of iron gates that are hanging off their hinges... then proceeds down a long gravel driveway to an impressive country house.
INT. LIVING ROOM - DAY
Ray enters the living room. It’s a scene of devastation.